After the
construction of the Nivas of the devi was over. Vishvakarma took
leave of Brahma- deva on whose command he had come down to the
Yamunachala to build it. Brahmadeva decided to create the-tirths
necessary for any kshetra. He then invited all the well-known and
holy waters on this earth to come to the Yamunachala.
The response to
the invitation was immediate, and every source of holy water that
existed on the surface of the earth and below it rushed to the spot.
Ganga, Yamuna, Sarasvati all obeyed the command. Various other tirths
from the Himalayas, Vindhyas, Sahyadris, Trikut and Malay mountains
flocked together.
There was a
tumultuous assemblage of all these and on account of the furor created
by them Brahmadeva named it ‘Kallola tirth’. The power of the tirth is
so great that even its very darshan is capable of destroying sin. A
bath in the tirth is the first rite to be performed by a pilgrim. The
tank is walled off from all sides and entrance into the enclosure is
only on payment of a fixed charge. Steps lead down to the water making
it easier to take a bath in it.
A dip in this
tirth during the month of Magha is the giver of great good. The
Tulajarnahatmya states that apart from sins, various diseases are
cured by this water. This tirth is a large rectangular reservoir forty
feet by twenty and is most probably a fourteenth century construction.
On one side of the tirth are a number of aisles now used for
residential purposes.
From the other
side, that is, the northern side a flight of steps leads down another
fifteen feet taking the visitor down to the second stage of the
Prakara. This is crowded with various tirths and some subsidiary
shrines. The point that attracts immediate attention is the 'Gomukh
tirth'. Here a stream of water is constantly falling down some six
feet from the Gomukh, a stone image of a cow's head.
This flow of
water comes from the Mankavati Tirth, as is evident from the fact that
when the latter dries up due to scarcity of rains, the former also
dries up. However, the local tale is quite different. The water
flowing down from the Gomukh is Ganp herself. Once there came a
mendicant belonging to the Nath sampradaya. His name was Garibanath.
He was rather an unbelieving type of soul and not paying any attention
to the local elders decided to go to the Ganges to enjoy real
Ganga-snana.
When the Devi
saw that her devotees had failed to convince him she herself appeared
before him and tried to show him that this indeed was water from the
Ganga. But the man was in no mood to accept even the divine
explanations. He however, agreed in the end to carry with him a stick
and a lemon fruit to the Ganges and drop them in the water there.
Walking down all
the way to the Ganges, the Sadhu performed all the rites at the Tirth,
got the satisfaction he longed for and then remembering the Devi's
words rather skeptically threw the stick and lemon in the river, The
man returned to Tuljapur in due course and when, following the usual
custom stood below the Gomukh to bathe in the downpour, he saw the
stick and the lemon coming out of the Gomukh.
This at last
convinced him that the water pouring forth from the Gomukh was in fact
Ganges water. The Mahatmyait the Dharsa-tirth’, and says that it
consists of the three waters, that of Ganga, Yamuna and Sarasvati.
Along the same
line are other Tirths. These are in the nature of small tanks or wells
and recently cupola-like structures have been erected to cover them.
Inscribed plates indicate which tirth is what. A guardian or Upadhyaya
is sitting near each of these Tirths and guides the visitor about the
rites to be performed at each.
There are the
Ganeshtirth, the Amrit-kund, also known as the Sudha kund. The whole
assemblage of these tirths is kept remarkably clean and tidy. Near
them are small shrines to some deities like Siddhi- vinayak, Vitthal,
Dattatreya etc.
Then to the east
of the Gomukh tirth, but outside the precincts of the temple courtyard
is the Mankavati tirth or the Vishnu tirth. This is a huge reservoir,
resembling a step well. The arched construction of the aisles around
it showing that it is a building of the late Maratha period.
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